In Memoriam: David Frick (1955-2022)
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Der Tod ist groß.
Wir sind die Seinen
lachenden Munds.
Wenn wir uns mitten im Leben meinen,
wagt er zu weinen
mitten in uns.
R. M. Rilke, Schlußstück
Our first response at hearing of David Frick’s death was shock and an acute sense of loss—he was still so young, many of us felt, and we all were expecting so much more from him. It was also, of course, the shock of facing our own mortality. In the natural order of things, we took his presence among us as normal and usual and somehow permanent, and now he was gone. Whether we saw him as an esteemed younger colleague or an older, esteemed mentor, his departure—so it began to sink in—was real. We will no longer be able to learn from him through a living discourse, to simply call him or go to him for advice or ask for a contribution, but will have to learn to plumb his legacy with the tools of our trade—which he did so much to develop and hone—and apply his insights. He was now becoming part of our canon. This had been happening for some time, of course, but now we were seeing it more starkly.
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In 1982 David joined the faculty of Slavic Languages and Literatures at the University of California, Berkeley, as an assistant professor. He took his place in the chair vacated by Nobel Prize winner Czesław Miłosz, a succession that his many Polish colleagues and friends never fail to mention as a sign of his worthiness. At Berkeley, David advised dozens of graduate students and undergraduates alike. As intimidating as his brilliance was, it was masked by an unassuming demeanor. David was always ready to give practical advice for approaching problems in study and research. By dint of his welcoming nature as well as his scholarship, he influenced a sizable “school” of younger scholars to pursue unexamined topics in Polish and Ukrainian early modern studies.
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David’s impact on Ukrainian literary studies and particularly on Ukrainian literary historiography has been fundamental. At Yale, he wrote his dissertation on Meletii Smotryts'kyi and submitted it for a PhD degree in 1983. The dissertation was reworked into a monograph, his Meletij Smotryc'kyj, which appeared in 1995.1 It was preceded in 1987 by volume 1 of the Texts Series of the Harvard Library of Early Ukrainian Literature (HLEUL) under the title Collected Works of Meletij Smotryc'kyj, presented in a facsimile edition and with a comprehensive introduction by David Frick.2 And it was followed in 2005 by his Rus' Restored: Selected Writings of Meletij Smotryc'kyj 1610-1630, which is volume 7 of the English Translations Series of the HLEUL. Rus' Restored includes fifteen major works of Smotryts'kyi’s, from his groundbreaking Threnos of 1610, which is arguably the first major work to initiate the century and a half period of religious polemics in seventeenth- and eighteenth-century Ukrainian literature, to his 1630 letter to Pope Urban VIII on how to reunite Rus' and implicitly provide for its sustenance and status in the Polish-Lithuanian Commonwealth. The annotated texts are given in an excellent, sensitive translation which, even though only a selection, is huge: just over 800 pages, again with a substantial introduction by Frick that makes Smotryts'kyi’s legacy readily accessible to the Western reader.
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It would seem enough that David left us with a detailed recreation of Vilnius, thoughtfully arranged and contextualized, for analysis by future generations of scholars. But, as adept as he was at interpreting texts from the early modern period, David was a nimble and sophisticated reader of modern literature. With his Mozartean genius for translation, he rendered into English two novels by twentieth-century Polish writer Jerzy Pilch and a collection of the Polish correspondence of Chopin. In saying goodbye to David, we approach his prodigious work with new-found awe of his ability to so fully render people and places in their complex and unruly humanity.
George G. Grabowicz
Michelle Viise
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1. David Frick, Meletij Smotryc'kyj (Cambridge, Mass.: HURI, 1995).2. Collected Works of Meletij Smotryc'kyj, Harvard Library of Early Ukrainian Literature, Texts, v. 1 (Cambridge, Mass.: HURI, 1987).3. See David Frick, “Meletij Smotryc'kyj and the Ruthenian Question in the Early Seventeenth Century,” HUS 8, no. 3/4 (December 1984): 351–75; “Meletij Smotryc'kyj and the Ruthenian Language Question,” HUS 9, no. 1/2 (June 1985): 25–52; “Meletij Smotryc'kyj's Threnos of 1610 and Its Rhetorical Models,” HUS 11, no. 3/4 (December 1987): 462–86; and “Fides Meletiana: Marcantonio de Dominis and Meletij Smotryc'kyj,” HUS 15, no. 3/4 (December 1991): 383–413.4. See David Frick, "The Circulation of Information about Ivan Vyhovs'kyj," HUS 17. no. 3/4 (December 1993): 251–78; “The Uses of Authority and the Authority of Use: Philological Praise and Blame in Early Modern Rus',” HUS 18, no. 1/2 (June 1994): 76–93; and "'Foolish Rus´': On Polish Civilization, Ruthenian Self-Hatred, and Kasijan Sakovyč," HUS 18, no. 3/4 (December 1994): 210–48. 5. It is, of course, anticipated by a general Polish-Ukrainian intellectual rapprochement that begins with the onset of Ukrainian independence in 1991. See especially Nie jesteśmy ukrainofilami. Polska myśl polityczna wobec Ukrainców i Ukrainy:. antologia tekstów, (Wrocław, 2002). 6. David Frick, “Sailing to Byzantium: Greek Texts and the Establishment of Authority in Early Modern Muscovy,” HUS 19 (1995): 138–57.7. David Frick, “Jews and Others in Seventeenth-Century Wilno: Life in the Neighborhood,” Jewish Studies Quarterly 12, no. 1 (2005): 8–42.8. David Frick, Wilnianie. Żywoty siedemnastowieczne (Warsaw: Studium Europy Wschodniej, 2008); idem, Kith, Kin and Neighbors: Communities and Confessions in Seventeenth-Century Wilno (Ithaca: Cornell University Press, 2013).