#  Ukrainian Contemporary Art After 2014 

 



####  calendar\_today Date and Time 

 **October 20, 2021** 

 12:00PM - 01:15PM EDT 

####  pin\_drop Location 

 **Zoom Webinar and YouTube**  



 

 [ Register for Zoom arrow\_circle\_right ](https://harvard.zoom.us/webinar/register/WN_aQhjtC6ATluiYB9d6MGb2g) 

 



 

###  **Kateryna Iakovlenko**, Fulbright Research Fellow at the Scientific Shevchenko Society in the USA  
Moderated by **Emily Channell-Justice**, Director, Temerty Contemporary Ukraine Program, HURI

 [Register for Zoom](https://harvard.zoom.us/webinar/register/WN_aQhjtC6ATluiYB9d6MGb2g) or [watch on YouTube](https://youtu.be/mBtVYQoQg8s)

 ![iakovlenko_poster_-_digital_-_web.jpg](/sites/g/files/omnuum4931/files/huri/files/iakovlenko_poster_-_digital_-_web.jpg)

 

##  Abstract

 Euromaidan and the war in Donbas have played an instrumental role in the development of contemporary Ukrainian art. The tragic events forced a new generation of artists to reflect on recent trauma and tragic events in Ukraine's history. For example, artists have begun to pay more attention to state and personal archives, Ukraine's postindustrial heritage, and ecology in recent decades. This generation has built new forms of collectivity, solidarity, and support for artists and other representatives, such as soldiers, immigrants, emigrants, workers, etc. Through their art, they create intellectual discussions about Ukrainian society and its possible future.

##  About the Speaker

   ![Kateryna Iakovlenko](/sites/g/files/omnuum4931/files/styles/hwp_1_1__360x360_scale/public/huri/files/iakovlenko_250.jpg?itok=slfc1wRb) 

 

**Kateryna Iakovlenko** is a contemporary art researcher and art critic. She got an MA in journalism and social communication at the Donetsk National University. For six years she has been researching the transformation of the heroic narrative of Donbas through new media for a postgraduate thesis at the Ivan Franko National University of Lviv. Iakovlenko worked as deputy web editor in *The Day* newspaper (2013-2014), as curator and program manager for the Donbas Studies Research Project at the IZOLYATSIA platform for cultural initiatives (2014-2015), and as a researcher and public program curator at the PinchukArtCentre (2015-2021). Her current research interest touches on the subject of art during political transformations and war and explores women and gender optics in visual culture. She was the editor of the books *Gender Studies* by the Donbas Studies Research Project (2015) and *Why There Are Great Women Artists in Ukrainian Art* (2019), and she was a co-editor of the special issue of *Obieg* magazine titled *Euphoria and Fatigue: Ukrainian Art and Society after 2014* (2020), *Curatorial Handbook* (2020) and *Nikita Kadan. Stone hits stone* (2021). She is now a Fulbright Research Fellow at the Scientific Shevchenko Society in the USA.

 Moderator: **[Emily Channell-Justice](/people/emily-channell-justice)**, Director, Temerty Contemporary Ukraine Program, Ukrainian Research Institute, Harvard University

 [Watch on YouTube](https://youtu.be/mBtVYQoQg8s)

 ───◊───

 Persons with disabilities who wish to request accommodations or who have questions about access, please contact Megan Duncan Smith, HURI Programs Coordinator, at <duncansmith@fas.harvard.edu> in advance of the session (at least two weeks prior, if possible).

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 See also:- [ Seminar in Ukrainian Studies ](/event-type/seminar-ukrainian-studies)
- [ Art and Culture ](/fields-expertise/art-and-culture)
- [ Contemporary Ukraine ](/fields-expertise/contemporary-ukraine)
- [ Temerty Contemporary Ukraine Program ](/program/temerty-contemporary-ukraine-program)
 
 

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