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An international conference sponsored by the
Harvard Ukrainian Research Institute
Ukrainian Modernism in Context, 1910–1930
Harvard University
Center for Government and International Studies (CGIS)
14–15 April 2007
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Session
1 (9:00a–12:10p,
CGIS, Room S-020)
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9:00–9:15a |
Michael Flier, Opening remarks |
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9:15–9:55a |
Myroslava Mudrak, “Symbolism
in Ukrainian Modernism” |
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9:55–10:35a |
Olga Lagutenko, “Ermilov’s
Creativity in the Context of National and All-European
Art, 1910–1930” |
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10:35–10:50a |
Break |
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10:50–11:30a |
Oksana Pelenska, “Ukrainian
Modernism versus Tradition in Czechoslovakia: The
Art of Decelerated Time” |
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11:30a–12:10p |
Vita Susak, “The Swiss ‘Secrets’ of
Alexander Arkhipenko” |
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Session
2 (2:00–4:55p, CGIS, Room S-020)
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2:00–2:40p |
Georgii
Kovalenko, “Ukrainian
Theatrical Constructivism” |
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2:00–2:40p |
Irena Makaryk, “On the
World Stage: The Berezil in Paris and New York” |
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3:20–3:35p |
Break |
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3:35–4:15p |
Jean-Claude Marcadé, “Kyiv,
City of the Artistic Avant-Garde in the Twentieth Century” |
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4:15–4:55p |
George Grabowicz, “Modernism
in Ukrainian Poetry: The Paradigm of Pavlo Tychyna” |
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Session
3 (9:30a–12:30p,
CGIS, Room S-020)
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9:30–10:10a |
Dmytro Horbachov, “Baggy
Pants-Hopak Culture as a Source of the World Avant-Garde” |
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10:10–10:50a |
Halyna Hryn, “The Modernist
Interface of Literaturnyi iarmarok” |
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10:50–11:05a |
Break |
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11:05–11:45a |
Konstantin Akinsha “Between
Mythology and Scholarship: Interpreting the Ukrainian Avant-Garde” |
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11:45–12:30p |
John Malmstad, Closing remarks
General discussion |
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